Decoding Zohran Mamdani's Style Statement: The Garment He Wears Reveals Regarding Modern Manhood and a Shifting Society.
Growing up in the British capital during the 2000s, I was constantly surrounded by suits. You saw them on businessmen hurrying through the Square Mile. They were worn by fathers in the city's great park, kicking footballs in the golden light. Even school, a cheap grey suit was our required uniform. Historically, the suit has functioned as a uniform of gravitas, signaling power and performance—traits I was told to embrace to become a "man". Yet, until lately, my generation appeared to wear them less and less, and they had all but vanished from my consciousness.
Subsequently came the incoming New York City mayor, Zohran Mamdani. He was sworn in at a closed ceremony wearing a sober black overcoat, crisp white shirt, and a notable silk tie. Propelled by an innovative campaign, he captivated the world's imagination like no other recent contender for city hall. But whether he was celebrating in a hip-hop club or attending a film premiere, one thing was mostly constant: he was almost always in a suit. Relaxed in fit, contemporary with unstructured lines, yet conventional, his is a quintessentially middle-class millennial suit—well, as common as it can be for a cohort that rarely bothers to wear one.
"This garment is in this strange place," says men's fashion writer Derek Guy. "Its decline has been a slow death since the end of the second world war," with the real dip coming in the 1990s alongside "the advent of business casual."
"It's basically only worn in the most formal locations: marriages, funerals, to some extent, court appearances," Guy states. "It's sort of like the kimono in Japan," in that it "essentially represents a tradition that has long retreated from everyday use." Many politicians "don this attire to say: 'I am a politician, you can have faith in me. You should vote for me. I have legitimacy.'" But while the suit has traditionally conveyed this, today it performs authority in the hope of gaining public trust. As Guy elaborates: "Since we're also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." To a large extent, a suit is just a nuanced form of drag, in that it enacts masculinity, authority and even proximity to power.
This analysis stayed with me. On the rare occasions I require a suit—for a ceremony or formal occasion—I dust off the one I bought from a Japanese retailer several years ago. When I first picked it up, it made me feel sophisticated and high-end, but its slim cut now feels outdated. I suspect this sensation will be only too recognizable for numerous people in the global community whose parents originate in somewhere else, particularly global south countries.
Unsurprisingly, the working man's suit has fallen out of fashion. Like a pair of jeans, a suit's shape goes through trends; a specific cut can thus characterize an era—and feel rapidly outdated. Take now: more relaxed suits, reminiscent of a famous cinematic Armani in *American Gigolo*, might be in vogue, but given the price, it can feel like a significant investment for something destined to fall out of fashion within a few seasons. But the appeal, at least in certain circles, persists: recently, department stores report tailoring sales rising more than 20% as customers "move away from the suit being daily attire towards an desire to invest in something special."
The Politics of a Accessible Suit
The mayor's go-to suit is from Suitsupply, a European label that sells in a mid-market price bracket. "Mamdani is very much a product of his background," says Guy. "A relatively young person, he's neither poor nor extremely wealthy." Therefore, his moderately-priced suit will resonate with the demographic most likely to support him: people in their 30s and 40s, university-educated earning middle-class incomes, often frustrated by the cost of housing. It's precisely the kind of suit they might wear themselves. Affordable but not lavish, Mamdani's suits arguably don't contradict his stated policies—which include a capping rents, building affordable homes, and free public buses.
"It's impossible to imagine Donald Trump wearing this brand; he's a Brioni person," observes Guy. "As an immensely wealthy and was raised in that property development world. A status symbol fits seamlessly with that tycoon class, just as attainable brands fit naturally with Mamdani's cohort."
The history of suits in politics is long and storied: from a former president's "controversial" tan suit to other national figures and their suspiciously impeccable, custom-fit appearance. As one UK leader discovered, the suit doesn't just clothe the politician; it has the potential to characterize them.
The Act of Normality and A Shield
Maybe the key is what one academic calls the "performance of banality", summoning the suit's long career as a uniform of political power. Mamdani's particular choice leverages a deliberate modesty, neither shabby nor showy—"respectability politics" in an unobtrusive suit—to help him appeal to as many voters as possible. However, some think Mamdani would be cognizant of the suit's military and colonial legacy: "The suit isn't neutral; historians have long noted that its modern roots lie in military or colonial administration." It is also seen as a form of protective armor: "I think if you're from a minority background, you might not get taken as seriously in these white spaces." The suit becomes a way of signaling credibility, perhaps especially to those who might question it.
This kind of sartorial "changing styles" is not a new phenomenon. Indeed historical leaders once donned three-piece suits during their early years. These days, other world leaders have begun swapping their typical fatigues for a dark formal outfit, albeit one lacking the tie.
"Throughout the fabric of Mamdani's image, the struggle between belonging and otherness is apparent."
The suit Mamdani selects is deeply significant. "As a Muslim child of immigrants of Indian descent and a democratic socialist, he is under pressure to meet what many American voters look for as a marker of leadership," says one author, while at the same time needing to walk a tightrope by "avoiding the appearance of an establishment figure betraying his non-mainstream roots and values."
But there is an acute awareness of the double standards applied to who wears suits and what is read into it. "That may come in part from Mamdani being a millennial, skilled to assume different identities to fit the situation, but it may also be part of his multicultural background, where code-switching between languages, traditions and clothing styles is typical," commentators note. "White males can go unremarked," but when others "attempt to gain the power that suits represent," they must meticulously navigate the expectations associated with them.
Throughout the presentation of Mamdani's official image, the dynamic between belonging and displacement, inclusion and exclusion, is visible. I know well the discomfort of trying to fit into something not built for me, be it an cultural expectation, the society I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in public life, appearance is not without meaning.